Hexenwaldtreff-Wiki | Liederbuch / Sophias und Tils Lieder

1. Four Strong Winds

Ian Tyson

	G	Am	D	G

	C	Em	D	D

Four strong winds that blow lonely, seven seas that run high,

All these things that won't change, come what may.

Well our good times all are gone, and I'm bound for movin' on,

I'll look for you if I'm ever back this way.

Think I'll go down to Alberta, weather's good there in the fall,

Got some friends that I could go to workin' for.

Still I wish you'd change your mind, if I asked you one more time,

But we've been through that a hundred times or more.

Four strong winds that blow lonely, seven seas that run high,

All these things that won't change, come what may.

Well our good times all are gone, and I'm bound for movin' on,

I'll look for you if I'm ever back this way.

If I get there 'fore the snow flies, and if things are goin' good,

You could meet me if I sent you down the fare.

But by then it would be winter, not much for you to do,

And those winds sure blow cold, way out there.

Four strong winds that blow lonely, seven seas that run high,

All these things that won't change, come what may.

Well our good times all are gone, and I'm bound for movin' on,

I'll look for you if I'm ever back this way.

2. The Weight

The Band

Capo II

Verse

	G	Bm	C	G

I pulled into Nazareth, was feelin' 'bout half past dead.

I just need some place where I can lay my head.

"Hey mister, can you tell me where a man might find a bed?"

He just grinned and shook my hand, "No" was all he said.

	G	Bm	C	G	Bm	C
	Take a	load off	Fanny,	take a	load for	free

	G	Bm	C	C	C
	Take a	load off	Fanny,	and...	and... and...

	C	G	G/F#	Em	G/D	C
	You put the load right on	me

I picked up my bags, I went lookin' for a place to hide.

When I saw Carmen and the Devil walkin' side by side.

I said "Hey Carmen, come on let's go downtown."

She said "No, I've got to go, but my friend can stick around."

Take a load off Fanny, take a load for free, Take a load off Fanny,

And... and... and... You put the load, put the load right on me

Go down Miss Moses, there's nothin' that you can say.

It's just old Luke, and Luke's waitin' on the judgement day.

"Well, Luke, my friend, what about young Anna Lee?"

He said "Do me a favor son, won't you stay and keep Anna Lee company."

Take a load off Fanny, take a load for free, Take a load off Fanny,

And... and... and... You put the load, put the load right on me

Crazy Chester followed me, and he caught me in the fog.

He said "I'll fix your rack if you'll take Jack my dog."

I said "Wait a minute Chester, you know I'm a peacful man."

He said "That's okay boy, won't you feed him when you can."

Take a load off Fanny, take a load for free, Take a load off Fanny,

And... and... and... You put the load, put the load right on me

Get your cannonball now to take me down the line.

My bag is sinking low, and I do believe it's time.

To get back to Miss Fanny, you know she's the only one,

Who sent me here with her regards for everyone.

Take a load off Fanny, take a load for free, Take a load off Fanny,

And... and... and... You put the load, put the load right on me

C9

Em7/B

Edim/Bb

A7sus4

Dm/C

3. Jesse

Janis Ian / Joan Baez

	C9	Em7/B	Edim/Bb	A7sus4	A7
	Jesse come home, there's a	hole in the bed where we	slept; now it's growing	cold.

	Dm	Dm/C	G7	C	E
	Jesse your face in the	place where we lay by the	hearth all apart it	hangs on my	heart

	A7	Dm
And I'm	leaving the light on the	stairs.

	G7	C	A7		Dm	G7	C
No I'm not	scared; I wait for	you,		hey	Jesse I'm	lonely come	home!

Jesse the stairs in the halls, recalling Your step; and I remember too.

All the pictures are fading and shaded in grey And I still set a place on the table at noon

And I'm leaving the light on the stairs.

No I'm not scared; I wait for you, hey Jessie I'm lonely come home!

Jesse the spread on the bed, It's like when you left, I kept it for you.

All the blues and the greens have been recently cleaned And are seemingly new; hey Jess, me and you.

We'll swallow the light on the stairs.

I'll fix up my hair, we'll sleep unawares, hey Jesse, I'm lonely, come home!

4. In My Life

Lennon, McCartney / the Beatles: Rubber Soul (1965)

	E	B	E	B
	/ /	/	/ /	/

	E	E6	E7	A6	Am	E
There are	places I'll re	member	- all my	li- -	ife though	some have changed,

	E	E6	E7	A6	Am	E
Some for	ever not for b	etter;	some have	go- -	one and	some remain.

	E6	A6	D	E
All these	places had their	moments, with	lovers and friends I	still can recall,

	E6	A6	Am	E	B
Some are	dead and some are	living, in	my life I've l	oved them all.

	E	E6	E7	A6	Am	E
But of	all these friends and	lovers,	there is	no	one com	pares with you,

	E	E6	E7	A6	Am	E
And these	memories lose their	meaning,	when I	think of	love as	something new.

	E6	A6	D	E
Though I	know I'll never lose af	fection for	people and things that	went before,

	E6	A6	Am	E	B
I	know I'll often stop and think a	bout them, in	my life I'll	love you more.

(Piano/Harpsichord solo)

	E	E6	E7	A6	Am	E

	E6	A6	D	E
Though I	know I'll never lose af	fection for	people and things that	went before,

	E6	A6	Am	E	B
I	know I'll often stop and think a	bout them, in	my life I'll	love you more.

	Am	E	B	B7	E
In	my life I'll love you	more.

5. All My Loving

The Beatles

	Em	A7	D	Bm
Close your	eyes and I'll	kiss you - To	morrow I'll	miss you,

	G	Em	C	A
Re	member I'll a	lways be	true.

	Em	A7	D	Bm
And then	while I'm	away - I'll write	home every	day,

	G	A7	D
And I'll	send all my	loving to	you.

	Bm	F#7	D	Bm	F#7	D
All my	loving -	I will send to	you; All my	loving,	Darling, I'll be	true.

	Em	A7	D	Bm
I'll pre	tend that I'm	kissing - The	lips I am	missing

	G	Em	C	A
And	hope that my	dreams will come	true.

	Em	A7	D	Bm
And then	while I'm a	way I'll write	home every	day,

	G	A7	D
and I'll	send all my	loving to	you.

	Bm	F#7	D	Bm	F#7	D
All my	loving -	I will send to	you; All my	loving,	Darling, I'll be	true.

	Em	A7	D	Bm
Close your	eyes and I'll	kiss you - To	morrow I'll	miss you,

	G	Em	C	A
Re	member I'll a	lways be	true.

	Em	A7	D	Bm
And then	while I'm	away - I'll write	home every	day,

	G	A7	D
And I'll	send all my	loving to	you.

	Bm	F#7	D	Bm	F#7	D
All my	loving -	I will send to	you; All my	loving,	Darling, I'll be	true.

6. And Your Bird Can Sing

Lennon & McCartney / the Beatles: Revolver (1966)

	E	F#m	A	E

	E
	You tell me that you've got every thing you want - And your bird can sing,

	F#m	A	E
But you don't get	me -	You don't get	me!

	E
	You say you've seen seven wonders - And your bird is green!

	F#m	A	E
But you can't see	me -	You can't see	me!

bridge

	G#m	G	B	C#
	When your prize po	sessions	start to weigh you	down,

	E	F#m	B
	Look in my di	rection - I'll be 'round - I'll be '	round!

	E	F#m	A	E
	(Guitar solo)

	G#m	G	B	C#
	When your bird is	broken	Will it bring you	down?

	E	F#m	B
	You may be a	woken - I'll be 'round - I'll be	round!

	E
	Tell me that you've heard every sound there is - And your bird can swing!

	F#m	A	E
But you can't hear	me -	You can't hear	me!

	E	F#m	A	E	E	E	A
	(Guitar solo)

7. Memphis Tennessee

Chuck Berry / Chuck Berry: Back in the U.S.A (1959)

	G	D
	Long-	distance information, get me Memphis, Tennessee.

Help me find the party who tried to get in touch with me.

	G
She	could not leave her number, but I know who placed the call.

	D7	C	G
'Cause my uncle took a	message and he	wrote it on the	wall.

Help me, information, get in touch with my Marie.

She's the only one who called me here from Memphis, Tennessee.

Her home is on the south side, high upon the ridge;

Just a half a mile from the Mississippi bridge.

Solo

Help me, information, more than that I cannot add,

Only that I miss her and all the fun we had.

But we were pulled apart because her mom would not agree,

Tore apart our happy home in Memphis, Tennessee.

Last time I saw Marie she was wavin' me goodbye;

With hurry-home drops on her cheeks that trickled from her eyes.

Marie is only six years old; information please:

Try to put me through to her in Memphis, Tennessee!

8. Speedy Gonzales

Kaye, Hill, Lee / Pat Boone (1962)

It was a moonlight night in old Mexico

I walked along between some old adobe haciendas

Suddenly, I heard the plaintive cry of a young Mexican girl:

	D	Bm		G		A7
La la	la, la la la la la la	la	La la la la la la	la	La la la la la la	la

	D	Bm
You'd better come home, Speedy Gon	zales - Away from Cannery	Row

	G	A7
Stop all your	drinkin' - With that floozie named	Flo

	D	Bm
Come on home to your a	dobe - And slap some mud on the	wall

	G	A7		D
The roof is leakin' like a	strainer	-	There's lots of roaches in the	hall

	G	D
Speedy Gon	zales (Speedy Gonzales) - Why don't you come	home?

	G	A
Speedy Gon	zales (Speedy Gonzales) - How come you leave me all a	lone?

Hey, Rosita! I have to go shopping downtown for my mother. She needs some tortillas and chili peppers!

	D	Bm		G		A7
La la	la, la la la la la la	la	La la la la la la	la	La la la la la la	la

	D	Bm
Your dog is gonna have a	puppy - And we're runnin' out of	Coke

	G	A7
No enchiladas in the	icebox - And the television's	broke

	D	Bm
I saw some lipstick on your	sweatshirt - I smell some perfume in your	ear

	G	A7		D
Well, if you're gonna keep a-	messin'	-	Don't bring your business back-a	here

	G	D
Speedy Gon	zales (Speedy Gonzales) - Why don't you come	home?

	G	A
Speedy Gon	zales (Speedy Gonzales) - How come you leave me all a	lone?

Hey, Rosita, come quick! Down at the Cantina they've got some green stamps with tequila!

	D	Bm		G		A7
La la	la, la la la la la la	la	La la la la la la	la	La la la la la la	la

9. Jackson

Johnny Cash & June Carter

	C
	We got married in a fever hotter than a pepper sprout

	C7
We've been talking 'bout Jackson	ever since the fire went out

	C	F	C
	I'm going to	Jackson, gonna mess a	round!

	F	G7	C
Yeah, I'm going to	Jackson,	look out Jackson	town!

	C
	Go on down to Jackson, go ahead and wreck your health.

	C7
Go play your hand, you big talking man, and make a	big fool of yourself!

	C	F	C
	Yeah, go to	Jackson, go comb your	hair!

	F	G7	C
Yeah, I'm gonna	snow ball Jackson,	see if I	care.

	C
	When I breeze into that city, people gonna stop and bow.

	C7
All them women gonna make me	teach 'em what they don't know how.

	C	F	C
	Aaw, I'm going to	Jackson, turn aloose of my	coat,

	F	G7	C
Yeah, I'm going to	Jackson, good	bye, that's all she	wrote.

	C
	I'm gonna laugh at you in Jackson, and I'll be dancin' on a pony keg.

	C7
They'll lead ya' round town like a scalded hound, with your	tail tucked between your legs!

	C	F	C
	Yeah, go to	Jackson, you big talking	man,

	F	G7	C
and I'll be waiting in	Jackson, be	hind my japan(Japan)	fan.

	C
	We got married in a fever hotter than a pepper sprout.

	C7
We've been talking 'bout Jackson	ever since the fire went out.

	C	F	C
	I'm going to	Jackson, and that's a	fact

	F	G7	C
yeah, I'm going to	Jackson,	ain't never comin'	back!

10. Don't Think Twice, It's All Right

Bob Dylan / The Freewheelin' Bob Dylan (1963)

	C	G7	Am	F	C	G7
It	ain't no use to	sit and wonder	why, babe,	if you don't know by	now.

	C	G7	Am	D7	G
And it	ain't no use to	sit and wonder	why, babe,	It'll never do, some	how.

	C	C7
When your	rooster crows at the	break of dawn,

	F	D7
	Look out your window and	I'll be gone.

	C	G	Am	F	C	G	C
	You're the	reason I'm	travelling	on, But,	don't think	twice, it's all	right.

	C	G7	Am	F	C	G7
And it	ain't no use in	turnin' on your	light, babe,	The light I never	knowed.

	C	G7	Am	D7	G
And it	ain't no use in	turnin' on your	light, babe,	I'm on the dark side of the	road.

	C	C7
But I	wish there were something you would	do or say;

	F	D7
	To try and make me change my	mind and stay.

	C	G	Am	F	C	G	C
	We never	did too much	talkin' any	way.	Don't think	twice, it's all	right.

	C	G7	Am	F	C	G7
No it	ain't no use in	callin' out my	name, gal,	Like you never done be	fore.

	C	G7	Am	D7	G
And it	ain't no use in	callin' out my	name, gal,	I can't hear you any	more.

	C	C7
I'm a-	thinkin' and a-wonderin'	Walking down the road,

	F	D7
I	once loved a woman, a	child I am told.

	C	G	Am	F	C	G	C
I	give her my	heart but she	wanted my	soul,	Don't think	twice, it's all	right.

	G7	Am	F	C	G7
So lo-o-	ong, honey	babe,	Where I'm bound, I can't	tell.

	C	G7	Am	D7	G
	Goodbye is	too good a	word, babe,	So I'll just say, "fare thee	well".

	C	C7
I ain't	sayin' you treated	me unkind,

	F	D7
You	could have done better, but,	I don't mind.

	C	G	Am	F	C	G	C
	You just kinda	wasted my	precious	time,	Don't think	twice, it's all	right.

11. I Shall Be Released

Bob Dylan/Bob Dylan: Greatest Hits Vol. II (1970)

	E	F#m	G#m	F#m	B	E
	They say ev’rything can be re	placed,	Yet ev’ry	distance	is not	near;

	E	F#m	G#m	F#m	B	E
	So I remember ev’ry	face,	Of ev’ry	man who	put me	here.

	E	F#m	G#m	F#m	B	E
I	see my light come	shining,	from the	west un	to the	east

	E	F#m	G#m	F#m	B	E
	Any day now,	any day now,	I	shall	be re	lased

	E	F#m	G#m	F#m	B	E
	They say ev’ry man needs pro	tection,	They say	ev’ry	man must	fall.

	E	F#m	G#m	F#m	B	E
	Yet I swear I see my re	flection,	Some	place so high	above this	wall.

	E	F#m	G#m	F#m	B	E
I	see my light come	shining,	from the	west un	to the	east

	E	F#m	G#m	F#m	B	E
	Any day now,	any day now,	I	shall	be re	lased

	E	F#m	F#m	B	E
	Standing next to me in this	lonely crowd, Is a man	who swears	he’s not to	blame.

	E	F#m	F#m	B	E
	All day long I hear him shout	so loud, Crying	out that	he was	framed.

	E	F#m	G#m	F#m	B	E
I	see my light come	shining,	from the	west un	to the	east

	E	F#m	G#m	F#m	B	E
	Any day now,	any day now,	I	shall	be re	lased

12. Belle Isle

trad. / Bob Dylan: Self Portrait (1970)

	C	F	C	G	C
One	evening for pleasure I	rambled to view the	fair fields	all a	lone.

	F	G	G
Down by the banks of	Loch Eiron where	beauty and pleasure were	known.

	a	e	a	G
I	spied a fair maid at her	labour which	caused me to stay for a	while.

	C	a	e	F	f	C
	And I thought of a	goddess of	beauty	bloomin bright	star of bright	isle.

	C	a	e	F	G	C
I	humbled	myself to her	beauty "Fair	maiden, where	do you be-	long?

	C	a	e	d	F	G
Are	you from	heaven de	scended a	biding in	cupids fair	throne?"

	a	e	a	e
"Young	man, I will tell you a	secret It's	true I'm a maid that is	poor.

	C	a	F	f
And to	part from my vows and my	promise Is	more than my heart can	endure.

	C	e	a	e	G
There	fore I re	main at my ser	vice And	go through all my hardship and	toil

	C	e	a	F	G	C
And	wait for the	lad that has	left me All	alone on the	banks of belle	isle".

	C	a	e	F	G	C
"Young	maiden I	wish not to	banter It's	true I come	here in dis	guise.

	C	e	a	d	G
I came	here to ful	fill our last	promise And	hope to give you a sur	prise.

	a	G	a	e	G
I've	known you're a maid I love	dearly And you've	been in my	heart all the	while.

	C	e	a	F	G	C
For	me there is	no other	damsel Than my	bloomin bright	star of belle	isle".

13. One too many Mornings

Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)

C

Am

F

C

Am

G7

C

	C	Am	F	C
Down the	street the dogs are	barkin' - And the	day is a-gettin'	dark.

	C	Am	F	G7
As the	night comes in a-	fallin', The	dogs'll lose their	bark.

	C	G7	F	C
An' the	silent night will	shatter - From the	sounds inside my	mind,

	C	Am	F	G7	C	F	G7	C
For I'm	one too many	mornings - And a	thousand	miles be	hind.

	C	Am	F	C
From the	crossroads of my	doorstep - My	eyes they start to	fade,

	C	Am	F	G7
As I	turn my head back	to the room - Where my	love and I have	laid.

	C	G7	F	C
An' I	gaze back to the	street, The	sidewalk and the	sign;

	C	Am	F	G7	C
And I'm	one too many	mornings - An' a	thousand	miles be	hind.

harp solo

	C	Am	F	C
It's a	restless hungry	feeling - That don't	mean no one no	good,

	C	Am	F	G7
When	ev'rything I'm a-	sayin' - You can	say it just as	good.

	C	G7	F	C
You're	right from your	side, I'm	right from	mine.

	C	Am	F	C	F	G7	C
We're both	just too many	mornings - An' a	thousand miles	behind.

14. Hotel California

Felder, Henley & Frey / the Eagles

	Bm	F#
	On a dark desert highway,	cool wind in my hair;

	A	E
	Warm smell of colitas,	rising through the air.

	G	D
	Up ahead in the distance,	I saw a shimering light.

	Em	F#
	My head grew heavy and my sight grew dim,	I had to stop for the night.

	Bm	F#
	There she stood in the doorway;	I heard the mission bell,

	A	E
	And I was thinking to myself: this could be	heaven or this could be hell!

	G	D
	Then she lit up a candle	and she showed me the way;

	Em	F#
	There were voices down the corridor;	I thought I heard them say:

	G	D
"	Welcome to the Hotel Califor	nia!

	F#	Bm
	Such a lovely place (such a lovely place), such a	lovely face.

	G	D
	Plenty of room at the Hotel Califor	nia!

	Em	F#
Any	time of year (any time of year), you can	find it here."

Her mind is Tiffany twisted, she got the Mercedes Benz.

She got a lot of pretty, pretty boys, that she calls friends.

How they dance in the courtyard, sweet summer sweat

Some dance to remember, some dance to forget!

So I called up the captain, "Please bring me my wine." He said:

"We haven't had that spirit here since nineteen sixty-nine."

And still those voices are calling from far away,

Wake you up in the middle of the night, just to hear them say:

"Welcome to the Hotel California!

Such a lovely place (such a lovely place), such a lovely face.

They're livin' it up at the Hotel California;

What a nice surprise (what a nice surprise), bring your alibis-"

Mirrors on the ceiling, the pink champagne on ice, and she said:

"We are all just prisoners here, of our own device."

And in the master's chambers, they gathered for the feast.

They stab it with their steely knives - but they just can't kill the beast!

Last thing I remember, I was running for the door.

I had to find the passage back to the place I was before.

"Relax," said the night man, "We are programmed to receive.

You can check out any time you like, but you can never leave!"

"Welcome to the Hotel California!

Such a lovely place (such a lovely place), such a lovely face.

They're livin' it up at the Hotel California;

What a nice surprise (what a nice surprise), bring your alibis-"

15. It never rains in Southern California

Albert Hammond

	Gm	C	F
Got on	board a west-bound	seven-forty-	seven,

	Gm	C	F
didn't	think before de	ciding what to	do.

	Gm	C
All, that	talk of oppor	tunities,

	F	Dm	Gm	C	F
	TV-breaks and	movies rang	true,	sure rang	true.

	Gm	C	F
Seems it	never rains in	Southern Cali	fornia.

	Gm	C	F
Seems I've	often heard that	kind of talk be	fore.

	Gm	C	F	Dm
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Gm	C	F
it	pou-	ours, man, it	pours.

	Gm	C	F	Dm
Out of	work I'm out of my	head, out of	self-respect, I'm out of	bread,

	Gm	C	F
I'm under	talked, I'm under	fed, I wanna go	home.

	Gm	C	F	Dm
It never	rains in Cali	fornia, but	girl don't they	warn you,

	Gm	C	F
it	pou-	ours, man, it	pours.

Will you tell the folks at home, I nearly made it.

Got offers but don't know which one to take.

Please don't tell'em, how you found me,

don't tell me how they found me,

gimmie a break, gimmie a break.

Seems it never rains in Southern California.

Seems I've often heard that kind of talk before.

It never rains in California, but girl don't they warn you,

it pours, man, it pours.

Out of work I'm out of my head, out of self-respect, I'm out of bread,

I'm undertalked, I'm underfed, I wanna go home.

It never rains in Califonia, but girl don't they warn you,

it pours, man, it pours.

A#m

C#7
³

F#

F7

F#m

Fsus7

16. Sunny

Bobby Hebb / Bobby Hebb (1966)

	Am	C7	F	E7
	Sunny,	yesterday my	life was filled with	rain.

	Am	C7	F	E7
	Sunny,	you smiled at me and	really eased the	pain.

	Am	C7
Now the	dark days are done and the	bright days are near,

	F	Fm
My	sunny one shines	so sincere,

	Esus7	E7	Am	C7	F	E7
	Sunny, one so	true, - I love	you.

Sunny, thank you for the sunshine bouquet.

Sunny, thank you for the love you brought my way.

You gave to me your all and all,

And now I feel ten feet tall,

	Em	C7
Sunny, one so true, - I love	you.

	A#m	C#7	F#	F7
	Sunny,	thank you for the	truth you let me	see.

	A#m	C#7	F#	F7
	Sunny,	thank you for the	facts from A to	Z.

	A#m	C#7
My	life was torn like-a	windblown sand, then

	F#	F#m
A	rock was formed when	we held hands,

	Fsus7	F7	A#m	C#7
	Sunny, one so	true, - I love	you.

	Bm	D7	G	F#7
	Sunny,	thank you for that	smile upon your	face.

	Bm	D7	G	F#7
	Sunny,	thank you for that	gleam that flows from	grace.

	Bm	D7
	You're my spark of	nature's fire,

	G	Gm
	You're my sweet com	plete desire,

	F#sus7	F#7	Bm	D7
	Sunny, one so	true, - I love	you.

	Cm	D#7	G#	G7
	Sunny,	yesterday all my	life was filled with	rain.

	Cm	D#7	G#	G7
	Sunny,	you smiled at me and	really, really eased the	pain.

	Cm	D#7
Now the	dark days are done and the	bright days are near,

	G#	G#m
My	sunny one shines	so sincere,

	Gsus7	Gt	Cm	D#7
	Sunny, one so t	rue, - I love	you.

	Cm	Cm	D7
I love	you.

17. Better Things

Ray Davies / The Kinks: To the Bone (1996)

	D	F#m	G	A

	D	F#m
Here's	wishing you the	bluest sky

	G	A	D
	hoping something	better comes to	morrow,

	F#m
Hoping all the	verses rhyme,

	G	A
And the	very best of	choruses too.

	Bm	F#m
	Follow all the	doubt and sadness

	D	E	A	G
	I know that better	things are on their	way.

Here's hoping that the days ahead

Won't be as bitter as the ones behind you.

Be an optimist instead,

And somehow happiness will find you.

Forget what happened yesterday,

I know that better things are on their way.

	G	D	G	A
	It's really good to see you	rocking out and	having	fun,

	D	G	A
	Living like you've	just be	gun.

	D	G	A
	Accepting life for	what it	brings,

	D	G	A	D	F#m
	I hope tomorrow	you find	better	things.

	G	A	D	F#m	G	A
	I hope tomorrow	you find better	things.

Here's wishing you the bluest sky

And hoping something better comes tomorrow.

Hoping all the verses rhyme,

And the very best of choruses too.

Follow all the drudge and sadness

I know that better things are on the way.

I know you've got a lot of good things happ'ning up ahead.

The past is gone, it's all been said.

So here's to what the future brings,

I hope tomorrow you find better things.

18. Easy

Lionel Ritchie / Commodores: Commodores (1977)

	G	Bm7	Am7	Am7/D
	I know it sounds	funny but I just can't	stand the pain.

	G	Bm7	Am7	Am7/D
	Girl I'm	leaving you tom	orrow.

	G	Bm7	Am7	Am7/D
	It seems to	me girl, you know I done	all I can.

	Ab	Bm7	Am7	Am7/D
	You see, you	beg, stole and I	borrowed.

	G	Bm7	Am7
That's why I'm e	asy, (aaaah, a	aaah, aaaah, a	aaah)

	Am7/D	F	C
I'm	easy like sunday	mo-	orning.

	G	Bm7	Am7
That's why I'm e	asy, (aaaah, a	aaah, aaaah, a	aaah)

	Am7/D	F	C	G
I'm	easy like sunday	mo-	o--	orning.

	Fmaj7	Em7	Dm7
I wanna be	high,	so	high

	Fmaj7	Em7	Dm7
I wanna be	preaching all the	things I do all	right.

	Fmaj7	Em7	Dm7
I wanna be	free,	just	me

	Bb	F	Bb

	G	Bm7	Am7
That's why I'm e	asy, (aaaah, a	aaah, aaaah, a	aaah)

	Am7/D	F	C
I'm	easy like sunday	mo-	orning.

	G	Bm7	Am7
That's why I'm e	asy, (aaaah, a	aaah, aaaah, a	aaah)

	Am7/D	F	C	G
I'm	easy like sunday	mo-	o--	orning.

19. Stumblin' In

Suzi Quatro

	Am	D	G	Em

Our love is alive and so we begin

Foolishly layin' our hearts on the table,stumblin'in

Our love is a flame burnin' within

Now and then fire light will catch us, stumblin'in

ER

Wherever you go, whatever you do

You know these reckless thoughts of mine are followin' you

SIE

I've fallen for you, whatever you do

'Cause baby you've shown me so many things that I never knew

BEIDE

Whatever it takes, baby, I'll do it for you

Our love is alive and so we begin

Foolishly layin' our hearts on the table,stumblin'in

Our love is a flame burnin' within

Now and then fire light will catch us, stumblin'in

ER

You were so young, ah, but I was so free

SIE

I may have been young but baby, that's not what I wanted to be

ER

Well you were the one

SIE

Oh why was it me?

ER

'Cause baby you've shown me so many things that I'd never seen

BEIDE

Whatever you need, baby, you got it from me

Our love is alive and so we begin

Foolishly layin' our hearts on the table,stumblin'in

Our love is a flame burnin' within

Now and then fire light will catch us, stumblin'in

Stumblin' in, I'm stumblin' in

Foolishly layin' our hearts on the table, stumblin'in

ER

Ah, stumblin' in, mmm, stumblin' in

Now and then fire light will catch us, stumblin'in

SIE

Oh, stumblin' in, I'm stumblin' in

Foolishly layin' our hearts on the table, stumblin'in

20. Mrs. Robinson

Paul Simon / Simon & Garfunkel: Bookends (1968)

	E7	A	D	G	C	Am	E7
	De de	de de	de de	de de	de de	de de	de-eh

	D	G	Em
	And here's to	you, Mrs.	Robinson,

	G	Em	C	Am	D
	Jesus loves you	more than you will	know,	wo wo	wo.

	D	G	Em
	God bless you	please Mrs.	Robinson,

	G	Em	C	Am
	Heaven holds a	place for those who	pray,	hey hey hey.

	E7
	We'd like to know a little bit about you for our files.

	A
	We'd like to help you learn to help yourself.

	D	G	C	Am
	Look around you,	all you see are	sympathetic	eyes.

	E7	D
	Stroll around the grounds un	til you feel at home.

And here's to you, Mrs. Robinson,

Jesus loves you more than you will know, wo wo wo.

God bless you please, Mrs. Robinson,

Heaven holds a place for those who pray, hey hey hey.

	E7
	Hide it in a hiding place where no one ever goes,

	A
	Put it in your pantry with your cupcakes.

	D	G	C	Am
	It's a little	secret, just the	Robinsons' af	fair.

	E7	D
	Most of all you've got to	hide it from the kids.

Koo koo ka choo, Mrs. Robinson,

Jesus loves you more than you will know, wo wo wo.

God bless you please, Mrs. Robinson,

Heaven holds a place for those who pray, hey hey hey.

	E7
	Sitting on a sofa on a Sunday afternoon,

	A
	Going to the candidates debate.

	D	G	C	Am
	Laugh about it,	shout about it,	when you've got to	choose.

	E7	D
	Any way you look at it you	lose.

	D	G	Em
	Where have you	gone Joe Di	Maggio,

	G	Em	C	Am	D
	A nation turns its	lonely eyes to	you,	woo woo woo

	D	G	Em
	What's that you	say, Mrs.	Robinson,

	G	Em	C	Am	E7
	Joltin' Joe has	left and gone	away,	hey hey hey, hey hey	hey.

21. Something Stupid

Nancy Sinatra, Frank Sinatra

	G	Em
	I know I stand in	line

	G	Em
Until you	think you have the	time

	Am	D	Am	D
To spend an	evening with	me

	Am	D
And	if we go some	place to dance

	Am	D
I	know that there's a	chance

	G	Em	G	Em
You won't be	leaving with	me

	G
And	afterwards we drop into a quiet little place

	C	Eb
And have a	drink or two

	Am	D
And	then I go and	spoil it all

	Am	D	G	Em	G	Em
By	saying something	stupid like "I	love you"

	G
I can	see it in your eyes

That you still despise the same old lines

	C
You heard the	night before

	A
And	though it's just a line to you

For me it's true

	D
It never seemed so	right before

I practice everyday

To find some clever lines to say

To make the meaning come true

But then I think I'll wait

Until the evening gets late

And I'm alone with you

The time is right

Your perfume fills my head

The stars get red and oh, the night's so blue

And then I go and spoil it all

By saying something stupid like "I love you"

The time is right

Your perfume fills my head

The stars get red and oh, the night's so blue

And then I go and spoil it all

By saying something stupid like "I love you"

"I love you"

22. Tin Soldier

Steve Marriot / the Small Faces: the Autumn Stone (1969)

E

G

D

A

E

G

D

A

E

G

D

A

	E	G	D	A	E
	I - am a	little tin soldier that	wants to jump	into your	fire

	E	G	D	A	C#m
	you are a	look in your eye a	dream passing	by in the	sky

	D	F	A	F#m
	But I don't under	stand that all I	need is treat me like a	man

	A	F#m	D
'cause I ain't no	child - take me like I	am

	E	D	E	D	E
	I got to	know that I be	long to you - Do any	thing that you	want to do

	D	E	D		C		B
sing any	song that you	want me - to sing to	you

|:

E

G

A

G

:|

E

G

A

G

E

G

A

G

/

//

/

//

I don't

need no

-

aggra

vation

	E	G	A		G
	I just got to	make you		-	got to live it

	E	G	A	G	E
	I just got to	make you	just my oc	cu	pation

	D	E	D	E
I got to	know that I be	long to you - do any	thing that you	want to do

	D	E	D		C		B
I sing any	song that you	want me to sing to	you

	E	G	D	A	E
All	I need is your	whispered hello -	smiles melting the	snow nothing	heard.

	E	G	D	A	C#m
your	eyes are	deeper than time -	say a love that won't	rhyme without	words

	D	F	A	F#m
	so now I've lost my	way - I need	help to show me things to	say

	D	A	F#m
	give me your	love before mine fades a	way

	E	D	E	D	E
	I got to	know that I be	long to you - Do any	thing that you	want to do

	D	E	D
I sing any	song that you	want me - to sing to	you

	E	A	E	D	E	A	E	D	A	B
Oh	no			- Oh	no			-	I just want some reaction -	someone to give me satisfaction

	C	D	E
	all I want to do is	sit with you! 'Cause I	love you!

23. Happy Together

Gary Bonner - Alan Gordon / the Turtles

	Dm
Imagine	me and you, I do

	C
I think about you	day and night, it's only right

	Bb	A7
To think about the	girl you love and hold her tight - So happy to	gether

I should call you up, invest a dime

And you say you belong to me and ease my mind

Imagine how the world could be, so very fine - So happy together

	D	C	D	C
	I can see me	lovin' nobody but	you for all my	life

	D	C	D	C
	When you're with me,	baby the skies will be	blue for all my	life

Me and you and you and me

No matter how they thrust the dice, it has to be

The only one for me is you, and you for me - So happy together

I can see me lovin' nobody but you for all my life

When you're with me, baby the skies will be blue for all my life

Me and you and...

	D	C	D	C
	Ba-ba-ba-ba	ba-ba-ba-ba ba-ba-	ba ba-ba-ba-	ba

	D	C	D	C
	Ba-ba-ba-ba	ba-ba-ba-ba ba-ba-	ba ba-ba-ba-	ba

Me and you and... ...So happy together

	Dm	A7	Dm	A7	Dm
	So happy to	gether	- How is the	weather

	A7	Dm	A7	Dm
So happy to	gether	- We're happy to	gether

	A7	Dm	A7	Dm
So happy to	gether	- Happy toge	ther

	A7	Dm	A7
So happy to	gether	- So happy to	gether

	Dm
ba-ba-ba-ba ba-ba-ba-	ba...

24. Harvest

Neil Young / Neil Young: Harvest (1972)

	D	A	D	A	D	A	D

	A	D	A	G	D	A
	Did I	see you	down in a	young girl's	town with your mother in so much	pain?

	G	A	Bm	E	D
I was	almost	there at the	top of the	stairs with her	screamin' in the rain.

	D	A	G	D	A
	Did she wake you	up to	tell you	that it was only a change of	plan?

	G	A	Bm	E	D
	Dream up, dream	up, let me	fill your	cup with the	promise of a man.

	D	A	G	D	A
Did I	see you	walking	with the	boys though it was not hand in	hand?

	G	A	Bm	E	D	A	D
And was	some black	face in a	lonely	place when	you could under	stand?

	A	D	A	G	D	A
	Did she	wake you	up to	tell you	that it was only a change of	plan?

	G	A	Bm	E	D	A	D
	Dream up, dream	up, let me	fill your	cup with the	promise of a	man.

	A	D	A	G	D	A
	Will I	see you	give more than	I can	take? Will I only harvest	some?

	G	A	Bm	E	D
As the	days fly	past will we	lose our	grasp or	fuse it in the sun?

	A	D	A	G	D	A
	Did she	wake you	up to	tell you	that it was only a change of	plan?

	G	A	Bm	E	D	A	D
	Dream up, dream	up, let me	fill your	cup with the	promise of a	man

25. Hallelujah

Leonard Cohen / Jeff Buckley

Intro

	C	Am	C	Am

	C	Am
Well, I	heard there was a	secret chord

	C	Am
That	David played, and it	pleased the Lord

	F	G	C	G
But	you don't really	care for music,	do ya?

	C	F	G
Well, it	goes like this: the	fourth, the	fifth,

	Am	F
The	minor fall and the	major lift,

	G	E	Am
The	baffled king com	posing Halle	lujah

	F	Am	F	C	G	C
Halle	lujah, Halle	lujah, Halle	lujah, Halle	lu		jah

Well, your faith was strong, but you needed proof,

You saw her bathing on the roof

Her beauty and the moonlight overthrew ya

And she tied you to her kitchen chair,

And she broke your throne and she cut your hair,

And from your lips she drew the Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah

Well, baby, I've been here before,

I've seen this room and I've walked this floor

You know, I used to live alone before I knew ya

And I've seen your flag on the marble arch

And love is not a victory march,

It's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah

Well, there was a time when you let me know

What's really going on below,

But now you never show that to me, do ya?

But remember when I moved in you,

And the holy dove was moving too

And every breath we drew was Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah

Well, maybe there is a God above

But all I've ever learned from love,

Was how to shoot somebody who outdrew ya

And it's not a cry that you hear at night

It's not somebody who's seen the light,

It's a cold and it's a broken Hallelujah

Hallelujah, Hallelujah, Hallelujah, Hallelujah,

Hallelujah, Hallelujah, Hallelujah, Hallelujah...

26. Romeo and Juliet

Mark Knopfler / Dire Straits

	intro:	\|:	F	Bb	:\|

	F	C	Dm	C	F
	A lovestruck Rome	o	sings the streets a sere	nade

	F	C	Dm	C	Bb
	Laying everybody	lo	w with a love	song that he	made

	C	Bb	C	F
	Finds a street light steps	out	into the	shade

	Bb	C
Says	something like you and me babe, how a	bout it?

	F	C	Dm	C	F
	Juliet says hey it's Romeo,	you	nearly gave me a heart at	tack

	F	C	Dm	C	Bb
	He's underneath the window	,	she's singing hey la my boy	friends	back

	C	Bb	C	F
	you shouldn't come around	here	singing up to people like	that

	Bb	C
	Anyway, what you gonna do	about it?

	F	C	Dm	C	Bb
	Juliet	the dice was	loa	ded from the	start

	F	C	Dm	C	Bb
	And I b	et, and you	ex-	ploded in my	heart.

	F	C	Dm	Bb
	And I	forget, I for	get, the movie	song

	Gm	F	Bb	C	Dm	C	F
	When you gonna realize it was just	that the	time	was	wrong	Juli	et?

Come up on different streets, they both the streets of shame

Both dirty both mean, yes and even and dream was just the same

And I dreamed your dream for you and now your dream is real.

How can you look at me as if I was just another part of your deal

Well you can fall for chains of silver, you can fall for chains of gold.

you can fall for pretty strangers and the promises they hold

You promised me everything, you promised me thick and thin yeah

Now you just say oh Romeo yeah, I used to have a scene with him.

Juliet when we made love you used to cry

you said I love you like the stars above I'll love you till I die

There's a place for us, you know the movie song

When you gonna realize it was just that the time was wrong Juliet?

I can't do the talk, like they talk on the tv

I can't do a love song, like the way it's meant to be.

I can't do anything, but I'd do anything for you.

I cant't do anything but be in love with you.

And all I do is miss you and the way we used to be

All I do is keep the beat and bad company.

All I do is kiss you through the bars of a rhyme

Juliet I'd do the stars with you anytime.

Juliet when we made love you used to cry

you said I love you like the stars above I'll love you till I die

There's a place for us, you know the movie song

When you gonna realize it was just that the time was wrong Juliet?

A love struck Romeo, sings the streets a serenade.

Now he's laying everybody low, with a love song that he made.

Finds a convenient street light, steps out of the shade

Says something like you and me babe how about it.

	outro:	Bb		C

Intro I (simple): | F Dm | B | F Dm | B F | e|-5--5--5--5---5-3-0-|--1--1--1--0--1-3-5-|-5--5--5--5---5-3-0-|--1--1--1--0--1--5-| H|------------6-------|--------------------|------------6-------|--------------3--6-| G|----5------5--------|------3-------------|----5------5--------|------3-------3--5-| D|--------------------|--------------------|--------------------|--------------3--7-| A|--------------------|--------------------|--------------------|-------------------| E|--------------------|--------------------|--------------------|-------------------| Intro II (complex): | F | F Bb | F | F Bb | e|-0h1-3-5------------5-|--------------1--0--1--|--0h1-3-5----------5-|-------5--3--0--1--| H|-------6--------6---6-|-----------1--------3--|--------6-------6--6-|----6-----------3--| G|-------5-----5------5-|--------2-----------3--|--------5----5-----5-|-5--------------3--| D|-------7--7-----------|-----3-----------------|--------7-7----------|-------------------| A|----------------------|--3--------------------|---------------------|-------------------| E|----------------------|-----------------------|---------------------|-------------------| Verse: |: F | Dm Bb :| e|--5--3--5-------------5-|-------------3---0---1--0h1--3---| H|--------6---------5---6-|----------1----------3-----------| G|--------5------6------5-|-------0-------------3-----------| D|--------7---7-----------|----2----------------------------| A|------------------------|-3-------------------------------| E|------------------------|---------------------------------|

27. Luka

Suzanne Vega / Suzanne Vega: Solitude Standing (1987)

	G	D
	My name is	Luka

	C	D
I	live on the se	cond floor

	G	D
I	live upstairs from	you

	C	D
	Yes I think you've	seen me before

	Em	D	Em
	If you hear	something late at	night

	D	C
Some kind of	trouble, some kind of	fight

	D	C
Just don't	ask me what it was

	D	C
Just don't	ask me what it was

	D	G
Just don't	ask me what it was

I think it's because I'm clumsy

I try not to talk too loud

Maybe it's because I'm crazy

I try not to act too proud

They only hit you until you cry

And after that you don't ask why

You just don't argue anymore

Yes I think I'm OK

I walked into the door again

Well, if you ask that's what I'll say

And it's not your business anyway

I guess I'd like to be alone

With nothing broken, nothing thrown

Just don't ask me how I am

28. Let her go

Mike Rosenberg / Passenger: All the little things (2012)

	F	G	\|:	Am	G	F	G	:	\|	Am
			\| (	3x)					\|

	F	C
Well you only need the	light when it's burning	low,

	G	Am
Only miss the	sun when it starts to	snow.

	F	C	G
Only know your	lover when you let her	go!

	F	C
Only know you've been	high when you're feeling	low.

	G	Am
Only hate the	road when you re missin'	home,

	F	C
Only know your	lover when you've let her	go,

	G	Am	F	G	Em	Am	F	G
And you	let her go!

	Am	F
	Staring at the bottom of your	glass

	G	Em
Hoping	one day you will make a dream	last.

	Am	F	G
The dreams come	slow and go	so fast!

	Am	F
You	see her when you close your	eyes,

	G	Em
Maybe	one day you will understand	why.

	Am	F	G
Everything you	touch all it	dies.

	F	C
Because you only need the	light when it s burning	low,

	G	Am
Only miss the	sun when it starts to	snow.

	F	C	G
Only know your	lover when you let her	go!

	F	C
Only know you've been	high when you're feeling	low,

	G	Am
Only hate the	road when you're missin'	home,

	F	C	G
Only know your	lover when you've let her	go!

	Am	F
	Staring at the ceiling in the	dark

	G	Em
Same old	empty feeling in your	heart;

	Am	F	G
Love comes	slow and it goes so	fast!

	Am	F
Well you	see her when you fall a	sleep,

	G	Em
But to never to	touch and never to	keep

	Am
Because you loved her too	much!

	F	G
And you dive too	deep...

	F	C
Because you only need the	light when it's burning	low,

	G	Am
Only miss the	sun when it s starts to	snow.

	F	C	G
Only know your	lover when you let her	go!

	F	C
Only know you've been	high when you're feeling	low,

	G	Am
Only hate the	road when you're missin'	home;

	F	C	G
Only know your	lover when you've let her	go!

	Am	F	G
And you let her	go - Ooh-	ooh-	ooh

	Am	F	G
And you let her	go - Oooh-	ooh-	ooh

	Am	F	G	Em	Am	F	G
And you let her	go

	F	C
Because you only need the	light when it's burning	low,

	G	Am
Only miss the	sun when it starts to	snow.

	F	C	G
Only know your	lover when you let her	go!

	F	C
Only know you ve been	high when you're feeling	low,

	G	Am
Only hate the	road when you're missin'	home;

	F	C
Only know your	lover when you ve let her	go,

	G
And you let her	go!

	F	C
Because you only need the	light when it's burning	low,

	G	Am
Only miss the	sun when it starts to	snow.

	F	C	G
Only know your	lover when you let her	go!

	F	C
Only know you've been	high when you're feeling	low,

	G	Am
Only hate the	road when you're missin'	home;

	F	C
Only know your	lover when you ve let her	go,

	G	Am
	And you let her go!

29. 1, 2, 3, 4 (I Love You)

Plain White T's

Intro

One, two, one-two-three-four

	D
	Give me more loving than I’ve ever had

	A
	Make it all better when I’m feeling sad

	Bm	A
	Tell me I’m special even though I know I’m	not

	D
	Make me feel good when I hurt so bad

	A	Bm
	Barely getting mad - I’m so glad I	found you

	A	G
I love being	around you - You make it	easy

	A
As easy as	One, two, one-two-three-four

	D	A	Bm	A	G	D
There’s only	one thing	To Do	Three words	For	you

(I love you) I love you

	D	A	Bm	A	G	D
There’s only	one way	to say Those	three words	That’s	what I’ll do

(I love you) I love you

Give me more loving from the very start

Piece me back together when I fall apart

Tell me things you never even tell your closest friends

Make me feel good when I hurt so bad

You’re the best that I’ve had

And I’m so glad I found you

I love being around you

You make it easy

It’s easy as One, two, one-two-three-four

There’s only one thing...

repeat

30. The A Team

Ed Sheeran / Ed Sheeran: + (2011)

Intro

	G	G	D/F#		Em	C	G
	/ / / / \| / / / / \| / / / / \|	/ /	/ /	\|	/ / / / \| / /	/ / \|	/ / / / \| / / / / \|

	G	D/F#	Em	C	G
	White lips, pale face, breathing in	snow	flakes, Burnt lungs,	sour	taste.

	G	D/F#	Em	C	G
	Light's gone, day's end, Struggeling to	pay	rent, Long nights,	strange	men.

	Am7	C	G
	They say she's in the Class	A Team, stuck in her	daydream,

	D/F#
Been this way since eight	een, but lately

	Am7	C	G
Her	face seems Slowly sinking,	wasting, crumbling like	pastries,

	D/F#
And they scream, the	worst things in life come free to us,

	Em	C	G
‘Cause we're	just under the	upperhand, and	go mad for a couple of grams,

	Em	C	G
	And she don't want to	go out	side - tonight,

	Em	C
And in a	pipe she flies to the	Motherland,

	G	Em	C
	Sells love to another man,	It's too cold	outside

	G	D	Em	C	G	Em	C	G
	For	angels to	fly,		angels to	fly - y -	y!

	G	D/F#	Em	C	G
	Ripped gloves, raincoat, tried to swim and	stay a	float, Dry house,	wet	clothes.

	D/F#	Em	C	G
Loose change, bank notes, weary-eyed,	dry	throat, call girl,	no	phone.

	Am7	C	G
	They say she's in the Class	A Team, stuck in her	daydream,

	D/F#
Been this way since eight	een, but lately

	Am7	C	G
Her	face seems Slowly sinking,	wasting, crumbling like	pastries,

	D/F#
And they scream, the	worst things in life come free to us,

	Em	C	G
‘Cause we're	just under the	upperhand, and	go mad for a couple of grams,

	Em	C	G
	And she don't want to	go out	side - tonight,

	Em	C
And in a	pipe she flies to the	Motherland,

	G	Em	C
	Sells love to another man,	It's too cold	outside

bridge

	G	D	Em	C	Em
	for	angels to	fly, An angel will	die - covered in	white, closed eye,

	G	Am7	C	Em
And	hoping for a better life,	This time, we'll fade out to	night, straight down the	line.

Interlude

	Em	C	G
\|:	/ / / / \|	/ / / / \|	/ / / / \| / / / / :\|

	Am7	C	G
And	They say she's in the Class	A Team, stuck in her	daydream,

	D/F#
Been this way since eight	een, but lately

	Am7	C	G
Her	face seems Slowly sinking,	wasting, crumbling like	pastries,

	D/F#
And they scream, the	worst things in life come free to us,

	Em	C	G
‘Cause we're	just under the	upperhand, and	go mad for a couple of grams,

	Em	C	G
	And she don't want to	go out	side - tonight,

	Em	C
And in a	pipe she flies to the	Motherland,

	G	Em	C
	Sells love to another man,	It's too cold	outside

	G	D	Em	C	G	Em	C	G
	For	angels to	fly,		angels to	fly - y -	y!

	Em	C	G
	fly,		fly,

	Em	C	G
Angels to	fly, to	fly, to	fly, angels to fly.

31. Dirty Old Town

Ewan MacColl (1946) / the Dubliners; the Pogues

	C
I	met my love by the gas works wall,

	F	C
Dreamed a	dream by the old ca	nal,

	F	G	C
	Kissed	my	girl by the fact'ry wall,

	G	Am
Dirty old	town, dirty old	town.

I heard a siren from the docks,

Saw a train set the noght on fire,

Smelled the spring on the smoky wind,

Dirty old town,dirty old town.

Clouds are drifting across the moon,

Cats are prowling on their beat

Springs a girl from the streets at night,

Diriy old town,dirty old town.

I'm going to make me a good sharp axe,

Shining steel,tempered in the fire,

I'll chop you down like an old dead tree,

Dirty old town,dirty old town

I met my love by the gas works wall,

Dreamed a dream by the old canal,

Kissed my girl by the fact'ry wall,

Dirty old town, dirty old town...

32. Don't Give Up On Me Now

Ben Harper

	Am

	Am	C
	Time, it opens all	wounds

	Am	C
And	trust is gonna put me in the	tomb

	Dm	F
The world isn't	mine, the world isn't mine to	save

	Dm	F
I can't afford to	lose what you easily throw a	way

	C	F	C
And	I don't even	know my	self,

	C	F	C
What	it would take to	know my	self

	C	F	C	G
I	need to change, I	don't know	h	ow

	Am
Don't give up on me	now

It's not what we do, it's what we do with what we feel

Takes all you have to stare it down, and whisper "Devil, no deal."

And I don't wanna fight, don't wanna fight my father's war

You can wait your whole life

Not knowing what you're waiting for

And I don't even know myself,

What it would take to know myself

I need to change, I don't know how

Don't give up on me now, don't give up on me now

I don't even know myself,

What it would take to know myself

I need to change, I don't know how

Don't give up on me now

33. Give A Man A Home

Ben Harper

	C	Am
Have you	ever	lost your way

	G	F
have you	ever feared a	nother day

	C	Am
have you	ever	misplaced your mind

	G	F
	watching this world leaving	you behind

	C	G
	won't you, won't you	give

	Am	G	F
won't you	give a man,	give a	man a home

have you ever worn thin

have you ever never known where to begin

have you ever lost your belief

watching your faith turn to grief

won't you, won't you give

won't you give a man, give a man a home

in a world that is unwhole

you have got to fight to keep your soul

some would rather give than receive

some would rather give up before they believe

won't you, won't you give

won't you give a man, give a man a home

34. Come Undone

Robbie Williams

	B
	So unimpressed but so in awe

	E
	Such a saint but such a whore

	B
	So self aware so full of shit

	E
	So indecisive so adamant

	F#	E
I'm contem	plating thinking about	thinking

	F#	E
It's over	rated just get another	drink and

	B
Watch me come un	done

	B	E
	They're selling razor blades and	mirrors in the street

	B	E
I	pray that when I'm coming	down you'll be asleep

	B	E
	If I ever hurt you your re	venge will be so sweet

	C#m	E
Because I'm	scum, and I'm your	son,

	B	E
I come un	done

	B	E
I come un	done

-Verse 2-

So rock and roll, so corporate suit

So damn ugly, so damn cute

So well-trained, so animal

So need your love, so f**k you all

I'm not scared of dying

I just don't want to

If I´d stop lying I'd just disappoint you

I come undone

They're selling razor blades and mirrors in the street

I pray that when I'm coming down you'll be asleep

If I ever hurt you your revenge will be so sweet

Because I'm scum, and I'm your son,

I come undone

	A
	So write another ballad

	A
	Mix it on a Wednesday

	E
	Sell it on a Thursday

	E
	Buy a yacht by Sunday

	B
	It's a love song

	B
	A love song

	A
	Do another interview

	A
	Sing a bunch of lies

	E
	Tell about celebrities that I despise

	F#
And sing	love songs

	F#
We sing	love songs

	B	A
So sin	cere

	B	E
So sin	cere

	F#	E

They're selling razor blades and mirrors in the street

I pray that when I'm coming down you'll be asleep

A young pretender and my crowds above can see

I come undone

I am scum

Love your son

You gotta love your son

Love your son

I am scum

35. Something Beautiful

Robbie Williams

Strophe

	A	F#m	C#m	D

	A	F#m	C#m	E

Bridge

	D	Dm	A	A7

	D	B	E	E

Refrain

	A	A	D	A

	A	E	D	A

	B7	B7	E	E

	A	C#	D	A	G

	A	E	G	D

	F	G	A

You can't manufacture a miracle

The silence was pitiful, that day

And love is getting too cynical

Passion's just physical, these days

You analyze everyone you meet

But get no sign, loving kind

Every night you admit defeat

And cry yourself blind

If you can't wake up in the morning

'Cause your bed lies vacant at night

If you're lost, hurt, tired or lonely

Can't control it, try as you might

May you find that love that won't leave you

May you find it by the end of the day

You won't be lost, hurt, tired or lonely

Something beautiful will come your way

The DJ said on the radio

Life should be stereo, each day

And the past, that cast the unsuitable

'Stead of some kind of beautiful

You just couldn't wait

All your friends think you're satisfied

But they can't see your soul, no, no, no

Forgot the time feeling petrified

When they lived alone

If you can't wake up in the morning

'Cause your bed lies vacant at night

If you're lost, hurt, tired or lonely

Can't control it try as you might

May you find that love that won't leave you

May you find it by the end of the day

You won't be lost, hurt, tired or lonely

Something beautiful will come your way

36. Sunrise

Norah Jones

	Am	G	C	G

	Am	G	C	G

	Am	G	C	G

	Am	G	C	Fmaj79

	G	Am
Sun	rise, Sun	rise

	Am	G	C
Looks like	morning	in your	eyes

	Am	G	F	C
But the	clocks held	nine fif	teen for	hours

Sunrise, sunrise

Couldn't tempt us if it tried

'Cause the afternoon's already come and gone

	Am	G	C	Fma7
And I said	hoo...

	Am	G	C	Fma7
	hoo...

	Am	G	C	Fma7
	hoo...

	Dm7
To	you

Surprise, surprise

Couldn't find it in your eyes

But I'm sure it's written all over my face

Surprise, surprise

Never something I could hide

When I see we made it through another day

And I said hoo...

To you

	D7	F9
	Now good	night

	D7
Throw its cover	down

	F9
On	me again

	D7	F9
	Ooh and if I'm	right

	D7
It's the	only way

	F9
To	bring me back

Hoo...

To you

Index
1, 2, 3, 4 (I Love You)	29
All My Loving	5
And Your Bird Can Sing	6
Belle Isle	12
Better Things	17
Come Undone	34
Dirty Old Town	31
Don't Give Up On Me Now	32
Don't Think Twice, It's All Right	10
Easy	18
Four Strong Winds	1
Give A Man A Home	33
Hallelujah	25
Happy Together	23
Harvest	24
Hotel California	14
I Shall Be Released	11
In My Life	4
It never rains in Southern California	15
Jackson	9
Jesse	3
Let her go	28
Luka	27
Memphis Tennessee	7
Mrs. Robinson	20
One too many Mornings	13
Romeo and Juliet	26
Something Beautiful	35
Something Stupid	21
Speedy Gonzales	8
Stumblin' In	19
Sunny	16
Sunrise	36
The A Team	30
The Weight	2
Tin Soldier	22

Sophias und Tils Lieder

Inhalt

1. Four Strong Winds

Ian Tyson

2. The Weight

The Band

3. Jesse

Janis Ian / Joan Baez

4. In My Life

Lennon, McCartney / the Beatles: Rubber Soul (1965)

5. All My Loving

The Beatles

6. And Your Bird Can Sing

Lennon & McCartney / the Beatles: Revolver (1966)

7. Memphis Tennessee

Chuck Berry / Chuck Berry: Back in the U.S.A (1959)

8. Speedy Gonzales

Kaye, Hill, Lee / Pat Boone (1962)

9. Jackson

Johnny Cash & June Carter

10. Don't Think Twice, It's All Right

Bob Dylan / The Freewheelin' Bob Dylan (1963)

11. I Shall Be Released

Bob Dylan/Bob Dylan: Greatest Hits Vol. II (1970)

12. Belle Isle

trad. / Bob Dylan: Self Portrait (1970)

13. One too many Mornings

Bob Dylan / Bob Dylan: The Times They Are A-Changin' (1964)

14. Hotel California

Felder, Henley & Frey / the Eagles

15. It never rains in Southern California

Albert Hammond

16. Sunny

Bobby Hebb / Bobby Hebb (1966)

17. Better Things

Ray Davies / The Kinks: To the Bone (1996)

18. Easy

Lionel Ritchie / Commodores: Commodores (1977)

19. Stumblin' In

Suzi Quatro

20. Mrs. Robinson

Paul Simon / Simon & Garfunkel: Bookends (1968)

21. Something Stupid

Nancy Sinatra, Frank Sinatra

22. Tin Soldier

Steve Marriot / the Small Faces: the Autumn Stone (1969)

23. Happy Together

Gary Bonner - Alan Gordon / the Turtles

24. Harvest

Neil Young / Neil Young: Harvest (1972)

25. Hallelujah

Leonard Cohen / Jeff Buckley

26. Romeo and Juliet

Mark Knopfler / Dire Straits

27. Luka

Suzanne Vega / Suzanne Vega: Solitude Standing (1987)

28. Let her go

Mike Rosenberg / Passenger: All the little things (2012)

29. 1, 2, 3, 4 (I Love You)

Plain White T's

30. The A Team

Ed Sheeran / Ed Sheeran: + (2011)

31. Dirty Old Town

Ewan MacColl (1946) / the Dubliners; the Pogues

32. Don't Give Up On Me Now

Ben Harper

33. Give A Man A Home

Ben Harper

34. Come Undone

Robbie Williams

35. Something Beautiful

Robbie Williams

36. Sunrise

Norah Jones